Showing posts with label journey. Show all posts
Showing posts with label journey. Show all posts

12.5.13

Burger Babbling and Metaphysical Journey


The Burger Babbling


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“Life is a box of chocolate” says Forrest Gump’s mum after we’ve all spent the entire first half of the film contemplating that the metaphor was gonna be “life is like a feather in the wind”. Bullocks, I thought, blurry-eyed after being drawn into this iconoclastic story yet once again, if life had been a box of chocolate, then at least you can read the ingredient list printed on the back. Nowadays they even give you visual guidance to let you pick your favourite flavors: the cone shaped one is milk chocolate with caramel fillings; or, the dark chocolate cube with pink stripes is raspberry flavored. Wanna change the order of consumption? Easy Peezy. Wanna skip an entire roll? Go for it. Unless you’re one of those people who choose to ignore all the clues and start at random, like going on blind dates and end up in exhaustion from meeting people from complete different worlds.

No, life is certainly not a box of chocolate, for unlike an honest, humble ingredient list, life only PRETENDS to give you choices, or let me rephrase, abstract ideas of choices. You’ll have visions of the outcome you were trying to get, which might turn out to be entirely different. It can certainly give you pleasant surprises, yet also disappointments. It’s a lot like when you order a burger at one of those places where you can decide what you want for each of the elements – what looks like a simple menu offers you a kaleidoscope of options beyond your imagination. And if you’re like me who’s just stepped in one of those joints for the very first time, it could become an overwhelming experience. You’re gonna need mentors and ask for perspectives, and of course, take risks and eventually hammer down your decision.

There are shortcuts of course. For example, you can try the recommended combination designed after generations of burger eaters’ experiences: the classics, the California style, the Mexican style, the vegetarian’s choice, etc., etc. You are allowed to tweak it a little bit depending on your slightly sticking out personalities, but those are certainly safe choices that couldn’t hurt your feelings, like a secure and safe life. You might not like it, you might even hate it upon first bite, but just like most people you’d probably end up sticking to it because, hey, you’re getting the protein and carbs you need, the taste might be mundane or boring, but what isn’t once you’ve gotten used to it?

Or, you can be a defiant and build your own burger. First you gotta choose your protein. Meat, it’s all about meat. After centuries and centuries of dietary evolutions it’s still meat we put on most of people’s plates. There’s nothing wrong with vegetarianism, but that’s a lifestyle that requires an entirely different kind of conviction and, well, financial support you can find those more expensive alternatives for your protein and fat.

And then you choose your vegetable; and then sauce, finally the buns; if you’re really, really hungry you can also get sides, beverages and desserts; I’m holding some prejudice against sliders: they sound like a choice made by people without persistence.

The waiter meticulously notes down your choices and finally with a smile and a nod, sends the order to the kitchen. In a few minutes, viola, you’re presented with your meal on a plain, undecorated tin platter, a sheet of wax paper separating the surface of the platter from the bottom later of your burger. You can see the sauce dripping from the edge and your bread, baked to shimmering shade of golden, releasing an indescribably energy: an amiable sense of familiarity, inviting, yet also like a stranger you just met but you had a déjà vu moment as if you’ve crossed paths in a different lifetime.

The next step determines weather the choices you just made for yourself is a success or a failure, or, well, a “tolerable”. The perfect scenario would be your meat, your veggie, your sauce and bread altogether create for you and explosion of amazing flavor that is ultimately both foreign and as if from a memory you’re born with, and it is a combination of tender, crunchy, greasy, refreshing, sweet, savory… it’d be a touching experience if you get very lucky, like a eureka moment for a chemist when they discovered a new kind of reaction.

You meat is like your occupation. Your life depends on it, so you better love it, otherwise even if you were getting your nutrient, it wouldn’t be an enjoyable process eating it. Sometimes your meat comes with bacon as an extra touch, like a part time job. For some people it brings infinite joy and makes their eyes sparkle; for some it’s just too much. Your vegetables are like your colleagues and friends, essentially who you choose to surround yourself with. They add varieties and distractions to your life and can change your attitude towards your career. Your sauce is your hobbies, adventures you take when you’re not working, dreams you pursue, or maybe just a Sunday morning in the park. Sauce can make all the difference. It’s actually THE element that does the trick: a really good sauce makes a good burger heavenly, and a terrible one tolerable. Of course, a bad cause ruins everything even all of your ingredients are of top-notch qualities. Your bun is the environment you’re in. No I’m not talking about the melting icecaps or the ozone hole, but the city you live in, the grocery store you shop at, the café where you get your morning Joe and greet the baristas who offers you a 10% discount because you accidentally revealed your student ID; your bun is the part that makes everything in tune; it soaks up the sauce and all the best flavors from your meat and veggies; it’s what contains you can pin you down and gives you a chance to readjust yourself from time to time even when all the other aspects of life keeps you spinning.

I can probably talk about all that with the ingredients that make up a salad, but a salad lacks the sense of mysteriousness a burger processes, especially from a spectator’s point of view. There are layers within layers about someone you’re staring right at yet couldn’t make out what’s truly inside of them. The beauty of the unknown, indubitably, extremely dangerous, likes a rose with invisible thorns.

Metaphysical Journey 

 

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The burger experience is sort of like the Eat Me cake experience Alice had. It makes you grow bigger and bigger until you’re able to reach the key to the secret of what your life means. Of course in reality it wouldn’t be as fast as in a metaphorical story, but you get the point. The beer that usually accompanies the burger, on the other hand, becomes the Drink Me potion that returns you the sense of vastness of the universe and the insignificance of your whole being. There’s a similar comparison with Dorito chips and Budweiser in Hamish Linklater’s the Vandal, absolutely mind-blowing. The moments between munching and burping with your friends sitting around a table are potentially when all the greatest ideas morph into shapes. Especially on a hot summer’s day, you mind would start to float as the humming sound of a ceiling fan becomes soporific and the lighting in the room seems to dim as time goes by; you feel like time becomes a tangible material instead of being a linear, abstract concept. Everything else is suspended and you start to think too much.

Alice’s journey down the rabbit hole, or if you prefer the looking glass version, is more than just a schoolgirl’s fantastical dream in defiant of the colourless adult’s world of words and figures without pictures between the pages. She’s on the threshold of discovering what’s the meaning of all the strange things she sees, a world offering no explanations but forces that thrush you upon an unfamiliar shore where you have chunks of solitude, a luxury of contemplation and reflection about all the nuances between the colours of leaves of grasses and, what the morning dew tastes like, or, how long can you keep your balance standing on one foot.

Let’s take a moment and go back to the burger joint. The journey – there’s no escape to it because it just comes to you as a part of your personal growth ­– it comes to you after you open the menu, and continues on until you’ve made your final choice and have eventually taken a first bite. There’s no coming back after that, but during your metaphysical journey of self-discovery and self-formation, you get to make choices and pick your paths like when Hercules had to decide whether glory with hardship or pleasure in a life at ease is more appealing.

Of course, there’s the other kind of journey where you basically browse through all the choices and make your pick in the very end. Your experience along the way is what matters and what makes you stronger. And again, that journey also comes to you like the wind sweep through Kansas City and lift Dorothy’s cottage all the way to Oz. When you’re least expecting it. There will be strangers who are simultaneously intrigued and terrified by you. And the feeling would be mutual I assure you. Karuki Murakami’s main characters usually have that kind of fate. They get thrown into “hard-boiled wonderlands” or post modernist realism where the environment is no more than a loosely formed concept. Beasts with strange coloured furs and primitive memories feeds into the collective unconscious of fictional characters and readers who also submerged themselves into world of imagination.

It’s in our human nature to go on the road. And this is where eastern and western philosophies converge. You never grow until you’ve walk the walk, says the elder and the wiser. Some of the more epic journeys had been inevitably dangerous and violent. For example the one Bilbo Baggins never intended, or the one Monkey King dreaded for a long time. Odysseus’ journey was to go home, but home is such a broad idea sometimes that it can mean everything that is whole and comforting: it’s a final destination of clarity, fulfillment and infinite joy, a final accomplishment of being content of who you are after you have discovered your worth and role in life, and are content about it.

You’re gonna need a vehicle before setting off. You can be on foot, or get a car, a motorcycle, a boat, or in some cases a pen, a computer; you can complete a journey within a room, at a museum, as long as by the end of the journey you’ve reached somewhere that makes you feel enlightened as if never before. The procession would be full of unknown factors. The sirens: the temptations; the current: the obstacles; the pirates: the enemies, or in a commoner sense, your haters. If the journey is a physical one, it’s advisable to go on the road, or set off sailing with at least one friend, unless you have boundless imagination and can endure solitude, or only hang out with the imaginary ones. Even the great time lord needs a companion to keep him sane and make sensible decisions. Keep yourself occupied and take notes of your thoughts. A journey without some mental distilment is like watching a movie but falling asleep in the middle of it. You’d end up with a title and an idea of what you’ve just experience, but no actual substances; or let’s still use the burger as an example: you can create a seemingly wonderful order, condiments and special sauces and all, but when you were presented with the final product, you accidentally knock down the platter. The purpose of your journey is very important; even if you don’t know exactly what it is when you first started. The process takes you to the destination, but it’s also a process of discovering where that destination is.

26.3.13

II : L - LII The Importance of Being On the Road – Harold, Kino, and Pi

Underneath the canopy of the witnesses of history, you can't help but think about the world in an entirely different longitude. A young lord's idle journey across the ocean and continents, similar versions of which has been performed by aspiring youth everywhere trying to find themselves in the unfamiliar wilderness of foreign countries, found him a new understanding of the world as an entity, a living, breathing organization rather than an instrument that we exploit and excavate.

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It's a dangerous occupation going on the road, truly going on the road, that is. A little tour in gap years on the cruise line, a merry-on-round with the comfort of luxurious inns and fancy entourages, those don't count. The act of putting oneself out and exposed to the world calls for courage and a lot of endurance. Many of those individuals are timelessly and universally admired, for they fulfilled a buried dream of most of us: to become more in tune with the world around us, to see more, to expand our lives and jump out of the mundane case we live in every day.

It's also a privileged occupation going on the road. How fortunate it would be to explore, whether you're put on the journey by choice or by chance. 

"There world is not beautiful," said Kino on her scooter, "therefor it is." I can't prove it, you just have to see it for yourself.


Harold, and Kino, and Pi. The three of them are of all different nationalities and beliefs, coming from idiosyncratic backgrounds and are put on the road by fate. Such is a new kind of monomyth: a hero's singular journey in pursuit of self-discovery. Harold saw mostly the ruins and skeletons of the past; his gear was a wealth of history, with which he discovered the similarities and conflicts between worlds, and understood the truth about what human destruction can do to civilizations.

Kino, on the other hand, was exiled from her hometown as a defiant. Determined to see the world instead of being confined in the reclusive village she grew up in, refusing to comply with traditions, she had to go on a path less trotted, hiding her identity. In the story, Kino only stays three days, two nights in each city she passes so that she wouldn't get attached. It's a giant sacrifice not having attachment in life. Harold, disillusioned with his previous situation and aspirations, made similar convictions. In comparison to Harold's relatively easy journey, with entourage and what not, Kino's journey involves with more solitude and calls for independent decisions, and of course, a lot of will power to keep going. 



"The world isn't beautiful, therefor it is. " This sums up what Kino found from her journey. What she found is the imperfection of the world: the evil side of human nature, the conflict-prone societies, the never-ending crimes and vices; yet there's also the angelic side of humanity. This turned out to be a philosophical enlightenment. The peculiar customs and strange encounters Kino had on the road, metaphorically indicates the different cultures in the world. There's no way we can understand them all, but we should still try to accept them. Like the different instruments in a symphony making different sounds individually. They would only create harmony when everyone involved realizes, and honour the diversity amongst themselves.


The third solitary hero we have here is Pi, the young Indian child who spent mouths alone in the ocean, battling with his fear and struggling to find ways to co-exist with Richard Parker the tiger.  The tiger is the primal force of destruction. Pi had to be constantly alert so that he doesn't get pull into despair. Harold's journey is more about the past, the natural history of human's interaction with nature; Kino is making an anthropological discovery along the road, going from one fantastical town to another, revealing the raw portraits of an ensemble of the ugly and the cruel. Pi is met with a different kind of challenge. He's making connection with the entire universe through his journey, the only purpose of which was actually to survive! 

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Yann Martel's novel was more about the strength of spirituality than a real journey in which the hero experience different areas of the world. Although the physical dangers Pi encountered had been incredibly realistic, his journey is the most inward one amongst all three.



Harold, as the literary avatar of Lord Byron, believed in the Greek Muses, sought after the truth of history through poetry. Kino, deprived of her innocence by reality, believed her own will and chased after the freedom of carrying out her own destiny. Pi, prays in all languages believed in the diversity of religions – for him, God is more of a state of mind, an attitude rather than a physical being. The solitary journeys they lead bend time and dimension, connecting those three characters. It's a temping business going on the path of self-discovery. Dangerous, mentally draining and might still eventually leave you completely unfulfilled, yet, its siren song still attracts pilgrims everywhere.

It takes a lot of courage to go on, but the importance of being on the road makes the vices seem ridiculously trivial.

28.2.13

II : XXII - XXVIII Of Transiency and Infinity

British sight-specific theatre troupe's smash hit production Sleep No More wove together the universe of the Scottish play as well as Alfred Hitchcock's cinematic world, creating a mythical environment where participants explore as the story unravels around them. One of the characters the creators added to the story is Hecate as the queen of the witches that appeared to deliver the oracle for Macbeth. See my illustration of the story (the one top left is Hecate):

My Illustration of Sleep No More

Hecate is actually an ancient goddess of witchcraft as well as various things like the torch, light, fire, the moon, crossroads... in short, anything with an air of mystery. She appears in the tripartite state of nature, usually with three faces (phases). Three, of course, is probably considered the most magical number of them all, and most powerful too: the unbreakable holy trinity just for an example. 

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Hecate facing three directions by Richard Cosway


The presence of Hecate is proper as the poet enters the realm of the Muslim. The Byzantium symbol of crescent and star had been linked to the goddess since late Hellenistic civilization (one example of Hellenistic period art is Venus de Milo). The people of Byzantium had been quite devoted to her ladyship, with a cult and everything, such as the counterpart of Athena's "fan base" on the Greek side. According to one theory, she is the sister of Leto, who mothers Apollo and Artemis. This relationship makes Hecate the aunt of the sun god and moon goddess. A pretty grand position if you ask me! Another less devine theory makes her a priestess, turned immortal by the Artemis. 


Imagine being onboard of a ship, and you go on deck at night while all is silent, the kind of silent we cannot experience in modern times, and all you can hear is the murmur of the wind, and you set your mind aloof. The air would be filled with ancient stories and even though you're alone in the vastness between the sky and the ocean, you feel surrounded by gods with blessings of all kinds. You have a chance to meditate and travel by freewill. And you start to miss the best times of your life... Byron had an emotionally tormenting childhood and teen years because of his complicated relationship with his mother and his lameness. It's only conceivable that he would be constantly imagining another kind of life if he could start over. His "escape from reality" is made possible because of title and financial support, romanticized because of his brilliance in handling words. On a lighter note, he also experienced major personal growth through those voyages, as the level of maturity becomes more and more apparent between the lines.


The generally shorter lifespan of people back in 19th century makes it understandable that a 24-year-old would have deep contemplation and acute awareness of his own mortality, thus constantly look in retrospect within himself. The moon, the lone vessel and the sound of the waves set the mood. 


Being aware of one's mortality at a comparatively young age can usually lead to two attitudes and results: 1. Give up and lament how nothing is possible to attain in a lifetime, or 2. Start living every day like it's the last, scaling all the mountain you can climb, crossing all the streams you pass along the way. Think of life as a story without an ending, but that doesn't mean you should give up the pleasure in the process. The best is always that little bit just out of reach, out of sight.


Think of it as a balance of active elements: when you're surrounded by acquaintances and you're socializing in the midst of a bubbling crowd, your mind would be processing only one thing at a time; however, when you're in the state of physical solitude, your mind becomes kaleidoscopic, and the world inside of you becomes infinite. "O God, I could be bounded in a nutshell, and count myself a king of infinite space", says Prince Hamlet the melancholy. Under arrest in Turin while serving, Xavier de Maistre wrote Voyage autour de ma chambre (Voyage Around My Room), published first in 1794. Quite a contemporary of Lord Byron, Xavier de Maistre later in his life also went on journeys to explore the world.


The mind is a boundless dimension, and those who master the art of using it are invincible, of course, note that knowledge still sets the base, otherwise the mind would be nothing but a vacuumed mote.


There are also two attitudes and results a vast amount of knowledge can bring one: 1. Become melancholic but nonchalant about worldly matters, for he understands the improbability of him being able to change anything; or 2. becoming much involved in all matters of the world, make changes or die trying. There's no say which way is better, but I would probably choose the latter, for the same reason I'd choose the positive reaction towards mortality. The entire human race could be considered as one living organism, and its evolution needs the effort of every single individual. The eremites, seem to me as though deactivated cells... however useful and perfectly cultured they might be, still useless.


The good news is most of us are born with the autonomous drive to move forward and get involved. It's ok to feel blue at times, but as the shore rises along the horizon, we would know that it's time for us to find another path. Breath with the world and feel the rhythm of the nature matching so perfectly with our heartbeats.

And follow the footprints of Harold we shall land the anchor and step ashore once again, with another love story, and another world ahead.

"The world is not beautiful, therefore it is..."